POV
Writing from a POV Outside your Culture
I have long heard the debate of whether a writer should attempt to write from a POV outside their own culture. The question is this: Can an author who is not of a certain ethnicity, do that ethnicity justice? Can s/he give an authentic point of view?
When you consider the works of people such as Amy Tan, Maya Angelou, and Khaled Hosseini, the idea feels pretty daunting if not impossible. How can you hope to capture the heart of a culture you haven’t lived?
Yet I believe that if a writer is willing to put in the work, it’s possible. Certainly, a character is not Hispanic, Chinese, French, or Russian just because we say they are. Simply giving them an accent is not good enough either.
Writing from the POV of another culture means a whole different way of thinking about the world. To list just a few of the things we must consider:
- Beliefs concerning family/family structure
- Religion
- How the economy affects them
- Monetary systems
- Views concerning money
- Class systems/beliefs
- Measurement systems
- Common animals
- Common foods
- School systems
- Government
Honestly, the list could go on for a long time. But if we want to be authentic, we will take the time to understand how these things work within the culture we are writing from.
To give just a small example, I spent 18 months in a French Territory. I lived with girls from all over the world (France, Tahiti, Vanuatu . . .). When I was preparing to come back to the USA, a girl I knew was interested in buying my bike. She asked how much I wanted for it, and I told her $75. That amount felt like a nice even and reasonable number.
But when we got home, my French roommate shook her head. “I just don’t get you Americans. Why $75? Make it $70 or $80, that would be a nice round number. But you Americans insist on such odd amounts!”
I was flabbergasted. I had been going for a nice round number. To me, $70 or $80 felt uneven. But her comment made me think. Why did we see something so basic and seemingly simple in such a different way?
The answer? Our different monetary systems had biased our way of thinking. You see, the USA uses a 25 cent coin so my mind naturally breaks $100 into four 25’s. I do it without thinking about it. France, on the other hand, uses a 20 cent coin. My French friend naturally counts by 10’s and 20’s.
Such a simple thing that leaked from our experience into our way of thinking. This is how cultural bias is formed. Understanding such simple differences is one of the things we must do to successfully write from a POV outside our own culture.
Have you or would you ever consider writing from a POV outside your culture? If you have, what suggestions do you have for achieving an authentic voice?
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Amy Tan, culture, ethnic authors, Khaled Hosseini, Maya Angelou, money, POVWhat in the heck is Voice?
Five-and-a-half years ago, I had my first ever critique by an editor at my first ever writing conference. I went into the meeting with so much hope, and came out devastated.
While the editor was very nice, he basically told me that my writing stunk (my own word), and I needed to keep practicing. The only bit he liked was the part I was considering cutting, and he said it sounded like I just hadn’t found my voice yet.
I haven’t touched that book since.
Anyway, that was the first I’d heard of “voice.” What in the heck is voice? I wondered.
According to About.com “voice is the author’s style , the quality that makes his or her writing unique, and which conveys the author’s attitude, personality, and character.”
At Kim’s Corner for Teacher Talk she says: “voice shows the writer’s personality. . . . It contains feelings and emotions so that it does not sound like an encyclopedia article.”
But see, while good definitions, none of this really helped me “find my voice.” I do think that I’ve learned a bit in the past five years, and so here are some things that I think helped me:
- Don’t just read good books, study good writing. Ask yourself why you like it, and listen to the voice.
- Know what point of view (POV) is and how it should be used in writing. I know that may sound obvious, but I look at my first ever book, and cringe at my all-over-the-place POV. I’ve been re-writing it with a solid POV, and it the change is astounding. (trust me!)
- Write what you enjoy. No . . . more than just enjoy . . . write what you’re passionate about. For me, that made the difference. I wrote the book I really wanted to write on a subject I adored.
- Work with a critique group. I can’t tell you how many times my amazing group steered my writing to keep my voice on track. “This just doesn’t sound like something the character would say,” they told me. Or “This is a POV shift.” Little things that add up. (Thanks guys!)
- Write. Write. And write. There’s nothing quite like practice. We hear this all the time, but how can we expect to be good at something we rarely do? We can’t.
I admit, I’m no expert on voice, but hopefully this is a little helpful. And I’d love to hear your thoughts . . . How did you find your voice?