Please Welcome Gabi Snyder to my blog! I love Gabi. We met through a picture book group called 12×12, and are now both part of the Debut Crew. I confess, I may be fangirling to have her on my site. I actually read her book announcement before we met and thought it sounded brilliant! I’m excited for you all to learn more about her.
Now on to the interview! As always, I’m in green.
Hi Gabi, welcome to my blog!
Hi Janet! I’m excited to be here!
Can you tell us a little about yourself and how you came to write children’s books?
Back in the day (early aughts), I studied English-Creative Writing at The University of Texas, with a focus on writing fiction for adults. After earning my MA, I took a succession of jobs that used writing (like grant writing and instructional design), but I wasn’t finding much time to do my own writing.
Fast forward to 2013: when my kids were little (3 and 5), we moved from Austin to Corvallis, Oregon. With a break from work following the move, I found time to get back to my own writing. Only, by then, reading daily with my two littles, I’d become immersed in the world of picture books and fallen in love with this form of storytelling.
Isn’t it an amazing form? I’m totally in love, too. Your book is so fun! Please tell us what it’s about.
TWO DOGS ON A TRIKE starts with a gate left open and a dog escaping her yard to join a poodle on a trike. Soon it’s three dogs on a scooter and then four dogs on a bike. With each new mode of transportation, a new dog is added to the fun. But what the pups don’t notice is that the original dog’s family cat is in hot pursuit.
It’s such a fun premise! I can just imagine kids giggling over that cat. What inspired you to write Two Dogs on a Trike?
If I had to guess which picture book I reread the most as a child, I’d name GO, DOG. GO! by P.D. Eastman. The silly dogs and sense of movement and fun in TWO DOGS ON A TRIKE are, in part, an homage to the P.D. Eastman classic. In TWO DOGS ON A TRIKE, we count up to 10 and back down again while moving through different and escalating modes of transportation.
And the dog versus cat dynamic that plays out in the story was inspired, in part, by my childhood pets. I grew up with a cat we called Kinko (named for his kinked tail) and an assortment of dogs. Kinko was the undisputed boss. Now my family includes one daredevil dog and one cat who keeps us all in line.
Haha! I had cats growing up, too, and they definitely keep us all in line.
I love that your book leaves so much room for the reader to create a story. Sparse text books can be really tricky, and yours makes it look easy! I would love to hear about your revision process. Was the initial draft pretty similar to this, or what kind of edits did you have to make?
Great question! Unlike most of my stories, drafting TWO DOGS ON A TRIKE was fairly quick and painless. It came out mostly whole. Of course, my brilliant critique partners still had suggestions for taking it to the next level. For instance, looking back at my first draft I see that the first line of the story initially read “One dog on the sidewalk.” With help from my critique partners, that line changed to “One dog, all alone…”. And then, when working with my editor, Meredith Mundy at Abrams, she pointed out that Sandra Boynton’s book HIPPOS GO BERSERK opens with this line: “One hippo, all alone . . ..” I wanted my opening line to vary more from the first line of that Boynton classic, so we changed that line to “One dog stands alone.”
So fun to see the evolution! Thank you for sharing. I feel like I just got a peek into your secret lab. 😊
Okay, so hearing about the story, and knowing you have a dog and cat, any chance we can see a picture? Everyone loves pet pictures.
Camille (the dog) and Henry (the cat) love to help me write! Camille likes to drape herself across my lap as I type, and Henry keeps my manuscripts warm and furry.
Adorable! What a cozy way to write. 😸🐶
Finally, the art. I love the bold colors and the simple, yet intricate images (which is quite the feat!). The illustrator, Robin Rosenthal, conveys so much emotion and humor and makes it look effortless! What is your favorite image from the book, and why?
I am absolutely smitten with Robin’s illustrations. And I love the 80’s retro vibe of the fashion choices.
Aren’t those the best??! The 80’s rocked.
For the first half of the story, the dogs are oblivious to the fact that they’re being followed. When we reach “10 dogs,” there’s a realization. That last animal? Not a dog! The revelation spread and the one that follows are my favorite images in the story. And while my illustration notes made clear who that not a dog is, I didn’t specify where we are. Robin Rosenthal’s illustration for that spread is hilarious and unexpected! I gasped in surprise when I saw it, and yet it feels like the inevitable “of course!” choice. Truly perfection.
It totally felt inevitable! It’s a neat thing to watch an illustrator’s work not only bring a story to life, but add that extra to make it that much MORE.
Okay, one last question. Here on my blog, I have a fascination for personalized license plates. What do you think the dogs (and the cat!) in your story might choose for a personalized license plate? You have 8 characters. Go!
Those are purrfect! (I couldn’t resist! Haha!) Thanks so much for stopping in!
Thanks so much for hosting me, Janet! 😊
TWO DOGS ON A TRIKE will be released on May 19th. To learn more about Gabi, her book, and where to find her on social media, see below!
Reader. Writer. Lover of chocolate. Watch for Gabi Snyder’s debut picture book, TWO DOGS ON A TRIKE, coming from Abrams/Appleseed in spring 2020, and her second picture book, LISTEN (working title) from Simon & Schuster/Paula Wiseman Books in spring 2021. Gabi lives in Oregon with her family, including one daredevil dog and the cat who keeps everyone in line.
If possible, consider buying TWO DOGS ON A TRIKE from your local bookstore. You can use Indiebound to find a local store.
If you don’t have a local indie or if they’re not able to take online orders, consider supporting local bookstores by ordering from Bookshop.
Welcome to the final day of my special series of Lost Resumes!
To celebrate the release of my picture book, HELP WANTED, MUST LOVE BOOKS (illustrated by Courtney Dawson), on Monday, March 2nd (just 3 days from now!), I’m sharing 5 Lost Resumes from characters who both did and didn’t make it into my story.
I hope you enjoyed the other Lost Resumes. But if you missed, I’ve included a link to all of the resumes at the bottom, so be sure to check them out.
Drum roll, please, for the final addition! Today, I present you Lost Resume #5: Rumpelstiltskin
I confess, this one makes me giggle-laugh so hard. I know! I totally crack me up. It is so different than all the other resumes, but Rumpelstiltskin is quite the character, and he likes to do things his own way. This is the only version of his that made sense. And secret? Underneath that big black rectangle is his actual name. Yep. I wanted it to be authentic.
Another secret? I had to give Shailey a last name when I created this resume. She didn’t have one before that. I know, I know, characterization and all that. But it was a corner I felt okay with cutting.
The only hard part about this particular resume, was not using the Shrek version of Rumpelstiltskin (either of them . . . you know he’s featured twice, right? Feel free to watch them all again. In fact, I just might do that myself).
Once again, while I don’t know why my publisher didn’t choose this resume, I have my guesses. Rumpelstiltskin is right up there with Grandma Sweets. It’s a bit dark to be thinking about a goblin stealing away a newborn baby, and since HELP WANTED is a book for young children, they probably don’t even want to be thinking about their future children at all! I get that. I do.
But in the mean time, I’m just over here chuckling away.
Now, there are two final notes I need to make:
First, I dressed up these Lost Resumes for this series, but when I sent them to my publisher, they were nothing more than words in a Word document. Just in case you were wondering. 😊
Second, there is the little matter of the replaced characters. For those who have been dying to find out all week, here you go:
Snow White and the Seven Dwarves replaced the Farmer in the Dell. He was my absolute favorite, and I’m so sad he didn’t make the cut. But let’s just say that the stinky old cheese was a big problem for Shailey.
Captain Hook replaced the Pied Piper. Since the Pied Piper stems from a true story, he was deemed too creepy. But he made things a little too lively for Shailey’s liking, anyway. 😳
I hope you enjoyed this series! If you want to see more resumes, you can find FOUR more as the backmatter in HELP WANTED, MUST LOVE BOOKS. The perfect ones to match the rest of the book.
Don’t forget to enter my giveaway for a chance to win a copy of my book, and a copy of a book by one of my fellow Debut Crew members! You have until Saturday, February 28th, at midnight EST.
And if you want to check out the other resumes, follow the links:
Lost Resume #3
Lost Resume #4
Have a great day!
Welcome back to my special series of Lost Resumes!
To celebrate the release of my picture book, HELP WANTED, MUST LOVE BOOKS (illustrated by Courtney Dawson), on Monday, March 2nd (next week!), I’m sharing 5 Lost Resumes from characters who both did and didn’t make it into my story.
I hope you enjoyed the first three Lost Resumes. But if you missed, I’ve included a link to all of the resumes at the bottom, so be sure to check them out.
Today we are moving on to Lost Resume #4: King Midas!
I had to do a bit of research for this one. I mean, who didn’t grow up hearing the story of King Midas? But turns out, I was pretty clueless. I’m certain I must have learned his story came from the Greek Myths at some point. But adult me had completely forgotten that tidbit.
When I mentioned this at the dinner table, my kids (ages 16, 13, and 10) went off on a deep discussion of a plethora of minor gods, comparing the Roman versions to the Greek, and I clearly need to start reading more Rick Riordan. My husband and I just sat there with mouths hanging open. Okay, not really, because we were eating dinner, but mentally, our mouths were definitely hanging open.
As I keep saying, I don’t actually know why my publisher did or didn’t choose each resume. But I feel fairly confident that King Midas didn’t make it in because he is from the Greek Myths, and not from the fairy and folk tales they were going for. And I suppose it’s also possible that this resume isn’t as funny as the others. Maybe. But I’ll let you be the judge of that.
Be sure to come back tomorrow when I share Lost Resume #5! The final one. In the meantime, don’t forget to enter my giveaway for a chance to win a copy of my book, and a copy of a book by one of my fellow Debut Crew members! And if you want to check out the other resumes, follow the links:
Lost Resume #5
Have a great day!
Good morning! This week I’m gearing up to celebrate the release of my picture book, HELP WANTED, MUST LOVE BOOKS (illustrated by Courtney Dawson), on Monday, March 2nd!
For those who were here Monday and Tuesday, welcome back to my special series of Lost Resumes!
As a reminder, I’m sharing 5 Lost Resumes from characters who both did and didn’t make it into my story. I hope you enjoyed Captain Hook’s and Snow White’s Lost Resumes! I’ve included a link to all of the resumes at the bottom, so if you missed them, be sure to check them out.
Today we are moving on to Lost Resume #3: Grandma Sweets!
Wait. You don’t know who she is? No, no, no. Of course you do. She is none other than the witch from Hansel and Gretel! Though really I should have made you guess based on the resume itself. Ahem. But here we are:
This one was a lot of fun to write. I mean, it’s Grimm, but there we are. A lot of fairy tale characters are a bit Grimm. (I know, I know, I’m so punny!) Maybe I shouldn’t admit this part, but it was really fun to put myself in the witch’s shoes and think about what she might do to get the job. We already know she’s pretty cunning just based on the fact that she lives in a consumable house.
Like I mentioned yesterday, I don’t actually know why my publisher did or didn’t choose each resume, but I’m guessing there were a couple of reasons for this one. First, the witch has no real name to speak of. I tried to look it up. But even if I had found something, no one would have known it. “Call me ‘Grandma Sweets'” was the best I could do.
Second, the Grimm factor. Maybe they worried parents don’t want to read a resume to small children about someone who wants to eat them. I don’t know. Just a theory.
Be sure to come back tomorrow when I share Lost Resume #4! In the meantime, don’t forget to enter my giveaway for a chance to win a copy of my book, and a copy of a book by one of my fellow Debut Crew members! And if you want to check out the other resumes, follow the links:
Lost Resume #4
Lost Resume #5
Have a great day!
I don’t know how this happened, but my picture book, HELP WANTED, MUST LOVE BOOKS (illustrated by Courtney Dawson), officially releases in exactly one week from today! (Aaaaaahhh!!) With the countdown to release day in full-swing, I wanted to share a little behind-the-scenes fun (and then host a giveaway!).
The first time I chatted with my editor at Capstone, my editor asked me what I thought about possibly including some back matter in the book. She couldn’t have known, but I am a BIG FAN of all things back matter in fiction picture books. I leapt at the chance!
Ideas came swimming into my head immediately. I told her I had a lot of characters who didn’t make the cut in the book. What if we did some character resumes for those lost characters?
She loved the idea, and so I got right to work, and sent her a sample later that week. That sample—a resume for Pinocchio—is now published in the final pages of my book. In fact, there are FOUR character resumes at the end of my book. I hope you’ll love them! (Here’s the tiniest sneak peeks.)
But guess what? I wrote way more than that. Yep. I wasn’t sure what Capstone would like, so I sent them 8 to choose from. But I wrote even more resumes than that . . . because I only sent them the 8 best ones. So over the course of this week, I’m going to be sharing FIVE of those lost resumes! Eventually, they will be available for download on my website, but for now, here is LOST RESUME #1 for your viewing pleasure. May I present SNOW WHITE!
Snow White did not make the cut because I didn’t think this resume was quite as amusing as the others. Thus, I never sent this one to my editor. In the end, it was just as well because Snow White, who hadn’t been featured in my book at the time of that initial phone call, went on to replace a different character. Oh, the intrigue in the fairy tale world!
Who got replaced you ask? Take your best guess in the comments! I’d love to hear. And maybe I’ll answer that question when I share the next Lost Resume!
But now, on to more fun stuff. With my release date being so close, I must, of course, celebrate with a giveaway!
So, to one lucky winner, I am giving not only a copy of my book, but a copy of a picture book written by a member of the 2020 Debut Crew (one book of your choice!)!! You can find a list of the authors and their books HERE. If the book you choose is not yet released, I will pre-order a copy of their book for you.
For any U.S. followers, I will gladly send a signed copy of my book upon request. If you win, just let me know!
Just use the handy dandy Rafflecopter link below to enter. Good luck, my friends!
<a class=”rcptr” href=”http://www.rafflecopter.com/rafl/display/139b69055/” rel=”nofollow” data-raflid=”139b69055″ data-theme=”classic” data-template=”” id=”rcwidget_cv4x3o2p”>a Rafflecopter giveaway</a>
Today is my picture book cover reveal!!!
I feel like I say this a lot, but being an author is like constantly riding a rollercoaster, full of ups and downs. There is a ton of rejection, but there are also moments that make your heart flutter. Seeing your cover for the first time is one of those.
With my middle grade cover, I knew that the cover was the only image I was going to get for my book. But with a picture book, the cover is a hint at all the lovely things to come! Thirty-two pages of beautiful, glorious pictures that represent someone’s vision of this world I created.
My debut picture book, HELP WANTED: MUST LOVE BOOKS, will be released into the world on March 1, 2020! I can’t wait for you all to see the whole thing (I just love it!), but in the meantime, here is a hint of things to come. The promise of a story that makes my heart happy. I hope it will make yours happy, too.
The illustrator is the amazing Courtney Dawson. You should follow that link to see her amazing art work! She’s so talented!
So without further ado . . .
I hope you love it as much as I do! Shailey turned out so perfect, and I love, love, love that you can read the titles on a bunch of those books on the bookshelf. The colors are so fun, and that title font (!!!). *happy sigh*
Thanks for stopping by, and I’d love to hear about what grabs your attention when looking at covers.
Help Wanted: Must Love Books is up on Goodreads, so feel free to add it to your “Want to Read” list!
And holy cow! Just this second I discovered that it’s also live on Amazon, which means you can now pre-order it!! (no cover there yet, but AAAAHHHH!) [And just so you know, this would be another one of those exciting moments I was talking about at the beginning that makes your heart flutter.]
Recently, I’ve had several people approach me with the fabulous news that they’ve written a book (congratulations!), and they’d like to look into publishing, but they don’t know what to do next.
I’ve been working on getting published for so long, that I sometimes forget that the things I’ve learned about how to get published aren’t always obvious. With so many people asking this same question, I thought it might be helpful to share this information with all of you.
I’m going to warn you, this will be a long post, but I hope it will be helpful.
First of all, before you do anything else, you should have someone who is not family read your book and comment on it. Then you should consider those comments, make changes, and repeat the process. I would recommend sharing it with at least three people at a minimum.
Finding people can be hard, but if you’re serious about it, you should be willing to exchange manuscripts with someone else. I actually find that critiquing someone else’s work can be really helpful in showing me what kind of improvements I could make in my own work.
Also, a great place to find critique partners is the Querytracker.net forum.
There are all kinds of discussion threads, including one called “Critique Group Central.”
Do you just want to see your book in print? Do you want to share your work with family? With a broad audience? Do you want to traditionally publish? Do you want an agent or would you rather submit to publishers on your own? Do you want to self-publish? Do you want control over every aspect, or would you rather pass some things off and just work on writing?
Here are some things to consider:
This option can get your book out there faster, but it can be a hard road, and there are steps that normally a publisher would do that you would need to take care of. For example, you would need to do things like editing and copy-editing. I would strongly recommend that you pay someone to do that for you, as outside eyes will catch things that you as the author will not.
You will need to design a cover and format the e-book (or pay someone to do it). Also, you would be in charge of all marketing to get your book known and out there. This can be really frustrating, and it can be hard to find an audience, but these are things you would be responsible for. One thing to consider is that it can cost a good chunk of money to self-publish (if you do it right), and that is not always earned back.
That said, there are many benefits to self-publishing. For example, you get a higher percentage of any sales. You have a lot more control over content, and cover, and marketing and promotions. Some people very much want that control.
To give some other perspectives, HERE is an article from Harold Underdown, who has worked in publishing a long time. He gives a lot of good information in this article.
And HERE is an article from Elana Johnson who has both traditionally and self-published.
So there are two options here. One, you search for a publisher on your own. And two, you work to get an agent, who will then submit to publishing houses.
For both of these options, I highly recommend using QueryTracker.Net. You can use it to search for agents and publishers who publish your genre. Whether you are looking for an editor or agent, you will need to research each agent or publishing house and find out what they are looking for and whether or not they are open to unsolicited submission/queries. QueryTracker provides links to many of these agents and publishers so they are easy to research. Certainly, there are other places to find this information. There are yearly books published, but I have found QueryTracker works for me.
Once you’ve done your research, make a list of those editors/agents you want to submit to. Once you know who you want to submit to, you need to write what is called a query letter. A query letter is a letter asking the editor or agent if they would be interested in considering your work.
For good information on how to write one, here are some sites to check out:
HERE is Nathan Bransford’s post on writing query letters.
Rachelle Gardner breaks down what to include in a query letter HERE.
Janet Reid’s Query Shark is a place to see real-time improvement on query letters. You can see exactly what an agent is thinking as she reads a query letter. I recommend reading through the archives to get a sense of what a query letter should look like.
Finally, HERE is an example of a successful query letter received by Andrea Somberg.
Reasons to search for a publisher on your own:
You don’t have to split your earnings with anyone. Also, many people don’t want to take the extra time to find an agent. It would be faster to go straight to the source.
Reasons to find an agent first:
(Caveat, this is the option I chose, so I might be biased.)
Many publishers are only open to submissions through agents. The reason for this is because it saves them time. Agents have vetted the work, often done rounds of revisions to get the book closer to being publication-ready.
Agents also help you with contract negotiations. They know what to look for, and they will help you avoid contracts that aren’t favorable to authors. This can be a big deal. BIG DEAL. Better to have no contract than a bad one. I’ve seen it.
Agents act as a go-between for you and your publisher. Agents will do the hard stuff like pushing back on a cover an author doesn’t like, or dealing with problems that may come up in the editing process. Or pushing for edit notes when they are long overdue. This allows the author to maintain a more open, less tension-filled relationship with the publisher and editor which is so needed throughout the revision process.
HERE is an article on what agents do and don’t do for writers:
Honestly, I can’t imagine trying to get published without one.
The process is long and arduous to get traditionally published, and I think it’s important that people understand that up front and know what they’re getting into.
All of these options can work. It mainly depends on what your personal goals are, what you are willing to put into the process, and what you hope to get out of it.
I hope this has been helpful for you, and don’t hesitate to ask any questions in the comments.